Resume

Emerson College | 2017

BA, Visual Media Arts Production

Concentration: Writing for Film and Television

Magna Cum Laude

WGA Support Staff Training Program | 2021

An 8-week course covering the duties of Writers’ Assistant and Script Coordinator

Skills

  • Television Writing

  • Copywriting

  • Proofreading

  • Graphic Design

  • Script Coverage

  • IP Acquisition

  • Marketing

  • Typing (90 words/minute)

  • Research

Software

  • Final Draft

  • Scenechronize

  • Google Suite

  • Microsoft Office

  • Adobe Creative Cloud

  • Airtable

Writing Achievements

Blue Cat Screenwriting Competition | 2021

Toxic Shock

SEMI-FINALIST — Pilot Competition

Ivy Film Festival | 2016

The Sand Cigarette

WINNER — Undergraduate Short Screenplay

Lunch Ticket | 2015

No Younguin’ Left Behind

PUBLISHED — Short Story

Volunteer Work

Board of Directors, Angel City Derby | June 2021-August 2024

Managed a grassroots, skater-operated 501c(3) non-profit of 70+ members.

 

SHADOWMACHINE

Script Coordinator, Long Story Short | May 2024–March 2026

  • Managed master script files on an award-winning Netflix animated comedy from BoJack Horseman creator Raphael Bob-Waksberg

  • Proofread and distributed all scripts and outlines under tight deadlines

  • Tracked series continuity across a non-linear timeline spanning multiple decades

  • Maintained an in-depth show bible

  • Conformed scripts to all cuts sent to the network

  • Covered for the Writers’ Assistant in the room as needed

THE ELECTRIC LODGE

Associate Producer/Stage Manager, Henry Johnson | Aug 2023–Oct 2023

  • Collaborated with an A-list creative team to launch a world premiere David Mamet play

  • Spearheaded backstage operations during performances, problem-solving in real time to maintain the integrity of the production

SHOWTIME

Script Coordinator, The L Word: Generation Q | May 2022–Oct 2022

  • Proofread and distributed all scripts, revision sets, and outlines via Scenechronize

  • Co-wrote the season finale alongside showrunner Marja-Lewis Ryan

  • Liaised between the writers room and the rest of production

  • Contributed to the writers room and maintained room notes

  • Coordinated with the Clearance and Legal departments to generate and approve on-screen copy

  • Submitted script status reports, disclosure lists, writer contracts and other paperwork

KADIKO

Senior Copywriter | April 2021–May 2022

  • Wrote video scripts, website manuscripts, e-books, and other brand copy for a variety of high-profile clients, including Adobe and Microsoft

  • Guided creative for marketing videos from start to finish—assembling interviews, B-roll, stock footage, and music into a cohesive story

Freelance Writer | May 2017–April 2021

  • Transcribed testimonial interviews and organized content into a cohesive narrative

KESHET STUDIOS

Development Coordinator | Jan 2019–Jan 2021

  • Generated creative notes, broke story, and worked directly with writers to develop TV projects for broadcast, cable, and streaming

  • Created pitch decks, flyers, brochures, and other sales materials

  • Sourced, evaluated, and adapted IP, with a focus on international formats

  • Wrote trailer scripts, created stringouts, and gathered found footage

  • Organized tracking grids, submissions, and file management

  • Supervised the company’s internship program

Development Assistant, Global Content | Dec 2017–Dec 2018

  • Wrote and compiled creative notes for all materials in a busy project slate

  • Managed calendars across multiple time zones for 3 executives

  • Booked frequent travel and arrange conference/festival meetings

Development Intern, Keshet Digital Studios | Sept 2017–Dec 2017

  • Wrote coverage and provided feedback for a high volume of creative submissions, with an emphasis on digital-first content

  • Researched buyer trends and emerging platforms

BBC WORLDWIDE

Development Intern, Unscripted | Sept 2017–Dec 2017

  • Created pitch decks and contributed to brainstorming sessions

  • Developed and pitched an original unscripted series to executives

  • Researched locations and casting for projects in development

  • Compiled weekly reports on industry trends

WGBH BOSTON

Production Intern, Arthur | Jan 2016–May 2016

  • Wrote an original episode treatment that was pitched to the writers room

  • Shadowed voice records, animatic reviews, and other production meetings of an Emmy-winning animated kids’ show

  • Wrote episode loglines for the website

  • Provided social media content and development research